Saturday, May 5, 2012

The Popular Music Studies Reader

The Popular Music Studies Reader Review



The Popular Music Studies Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes.

A wide range of international contributors featuring some of the biggest names in popular music and cultural studies including Philip Auslander, Paul Gilroy and Kodwo Eshun and discuss:

* the increasing participation of women in the industry
* the changing role of gender and sexuality in popular music
* the role of new technologies, especially in production and distribution
* the changing nature of the relationship between music production and consumption.

The Popular Music Studies Reader places popular music in its cultural context, looks at the significance of popular music in our everyday lives, and examines the global nature of the music industry.


Wednesday, May 2, 2012

The Rhetorical Power of Popular Culture: Considering Mediated Texts

The Rhetorical Power of Popular Culture: Considering Mediated Texts Review



Can television shows like Desperate Housewives, popular songs like Shaggy’s It Wasn’t Me, advertisements for Samuel Adams beer, and films such as Harry Potter help us understand rhetorical theory and criticism? The Rhetorical Power of Popular Culture is chock full of familiar examples like these to make rhetorical theory and criticism accessible, relevant, and meaningful to readers. Author Deanna Sellnow offers a step-by-step introduction to rhetorical theory and criticism by focusing on the powerful roles TV programs, advertisements, music, comics, and movies play in persuading us on what to believe and how to behave.

Key Features

  • Clarifies theoretical concepts using a broad range of familiar examples from TV, film, music, advertisements, and comics
  • Proposes a consistent step-by-step approach to conducting a rhetorical analysis of popular culture texts focused on describing, interpreting, and evaluating
  • Engages readers in the hands-on process of popular cultural criticism with end-of-chapter sample essays and challenge exercises
  • Fosters critical thinking and retention of key concepts by encouraging readers to actively apply concepts through “Applying What You’ve Learned” boxes embedded in each chapter

Intended Audience
This pragmatic book makes an excellent text for courses exploring the intersections of popular culture, communication, sociology, and identity. It is a must-have for anyone interested in examining the powerfully persuasive rhetorical messages that pervade our daily lives.